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Showing posts from April, 2017

The Circle

3.5/4 Starring: Emma Watson, Tom Hanks, Karen Gillan, Ellar Coltrane, John Boyega, Glenne Headley, Bill Paxton, Patton Oswalt Rated PG-13 for a Sexual Situation, Brief Strong Language and Some Thematic Elements involving Drug Use It is rare that a single performance can elevate a mediocre film into a great one.  Oh sure, there have been movies where the lead performance has dominated the film: Cate Blanchett in " Elizabeth ," Sean Penn in " Milk ," or Charlize Theron in " Monster ."  But those films were already great; the tremendous lead performances simply made it better.  Not so with "The Circle."  Without Emma Watson, this would be a mediocre movie.  But with her, it's a great one. Millenial Mae (Watson) is working as a customer service temp when her friend Annie (Gillan) calls her and says that she arranged for her to get an interview at the social media giant The Circle.  Mae nails the interview and is thrilled when she gets the

Unforgettable

1/4 Starring: Rosario Dawson, Katherine Heigl, Geoff Stults, Isabella Kai Rice, Cheryl Ladd Rated R for Sexual Content, Violence, Some Language and Brief Partial Nudity The "stranger within" genre, also known as the "(blank) from hell" genre, is among my favorites because, no matter how similar one film is to the next, they usually work.  This is because movies like " Fatal Attraction " and " Fear " understand that good writing and acting are at the heart of every movie.  To be sure, the gifts of Adrian Lyne and James Foley (and their contemporaries in the genre) aren't to be overlooked, but directorial showmanship is not usually a necessity of the genre.  However, the opposite is true.  With bad writing and acting, these movies can sink like a dead rock.  Just look at " The Resident " (or rather, just take my word for it).  At least " The Boy Next Door " was stupid fun.  The same cannot be said about "Unforgett

Monster's Ball

1.5/4 Starring: Billy Bob Thornton, Halle Berry, Peter Boyle, Heath Ledger, Coronji Calhoun, Sean Combs Rated R for Strong Sexual Content, Language and Violence If there's anything worse than a bad movie, it's a bad movie that thinks it's a good movie.  At least " The Great Wall " or " Fist Fight " didn't have any illusions about what they were.  They were crap movies made to make a quick buck from the most undemanding audience members.  "Monster's Ball" is too well-acted, or rather has two actors that are too good, for it to be as bad as either of those movies.  At the same time, it's convinced it's an "important" movie.  Gag. In a nutshell, "Monster's Ball" is about sad people finding a way to bond in their sadness.  Leticia Musgrove (Berry) is the mother of a grossly overweight child named Tyrell (Calhoun), is barely able to make ends meet, and her husband (Combs) is about to be executed for mu

The Tale of Princess Kaguya

2.5/4 Starring (voices): Chloe Grace Moretz, Mary Steenburgen, James Caan, Darren Criss Rated PG for Thematic Elements, Some Violent Action and Partial Nudity I've long praised Studio Ghibli for its daring filmmaking, artistic brilliance and rich storytelling.  Such bold risk-taking has led to some truly amazing films, such as " Grave of the Fireflies ," " Princess Mononoke " and " The Wind Rises ."  It has also led to the creation of " Spirited Away ," which is not only the best animated film ever made, but one of the best films ever made period .  But this comes at a cost; eventually you're going to make a movie that doesn't work. "The Tale of Princess Kaguya" is not a bad film, but it is a disappointment.  It is perhaps the weakest film released under the Studio Ghibli name.  Although the animation is eye-popping, the story is weak and the film is overlong.  And the ending just lost me.  I'm not mad at having

Traffic

3.5/4 Starring: Michael Douglas, Benicio del Toro, Catherine Zeta-Jones, Erika Christensen, Don Cheadle, Luis Guzman, Topher Grace, Amy Irving, Dennis Quaid, Clifton Collins Jr., Miguel Ferrer Rated R for Pervasive Drug Content. Strong Language, Violence and Some Sexuality We all like to believe that the "War on Drugs" occurs far away from us.  In another world or something.  It's just some oblique story that runs daily on the news; close enough to relate to but far enough away that there's no fear of being touched by it.  It helps us sleep at night.  Of course, it's a total lie, and that realization is at the heart of "Traffic." Perhaps the most disturbing aspect of "Traffic" is that, for all the evil and destruction that drugs represent, and how well we know the carnage they cause, they are omnipresent in every part of society.  Whether you're the daughter of the nation's drug czar or a cop in Tijuana, drugs are oh so easy to

Gifted

3.5/4 Starring: Chris Evans, McKenna Grace, Lindsay Duncan, Jenny Slate, Octavia Spencer Rated PG-13 for Thematic Elements, Language, and Some Suggestive Material "Gifted" is something that has become all too rare: a small, character-driven drama that's actually about something.  It's not going to break box office records, nor is it likely to get any Oscar attention (its release date is far too early for the notoriously ADD Academy) despite some strong performances.  But it is absolutely compelling from frame one and enriching for the mind.  Compare that to crap like " The Great Wall ," which is just an embarrassment for all involved. Mary (Grace) lives in rural Florida with her uncle, Frank (Evans), who is a local handyman.  Frank has raised her since her mother's death shortly after she was born, and until now she has been homeschooled.  Frank is determined to give Mary a shot at a normal life, so he sends her to school.  His neighbor Roberta

Waltz with Bashir

2.5/4 Rated R for Some Disturbing Images of Atrocities, Strong Violence, Brief Nudity and a Scene of Graphic Sexual Content What is "Waltz with Bashir?"  That's the million dollar question.  Part documentary, part psychological exploration, part mosaic memoir of the First Lebanon War, and part surrealistic fantasy.  Director Ari Folman tries to do a lot, but success is just outside his grasp. An old friend tells director Ari Folman about a dream he keeps having, where 26 vicious dogs chase him and demand that he surrender himself so they can eat him.  The friend has tried everything to make the dreams stop, but nothing is working.  So he asks Folman, who is a filmmaker, if he can shed light on his problem.  Folman doesn't remember his time serving in the war, and believes that this is because he has disassociated himself from the trauma.  Through interviewing those who were with him, he seeks to unlock the mysteries of the past. "Waltz with Bashir" s

Ghost in the Shell (2017)

1.5/4 Starring: Scarlett Johannsen, Pilou Asbaek, Peter Ferdinando, Juliette Binoche, "Beat" Takeshi Kitano, Michael Carmen Pitt Rated PG-13 for Intense Sequences of Sci-Fi Violence, Suggestive Images and Some Disturbing Images There are special effects movies (" The Rock ").  There are special effects movies (any " Star Wars " movie).  And then there's this new iteration of "Ghost in the Shell."  I have nothing against special effects in movies, even if they are all encompassing.  Take " The Lord of the Rings " or "Star Wars" (especially the prequels) for example.  Green screens, miniatures, manipulative camera angles, and of course, computers, were utilized to give these films the maximum visual flair.  However, in those cases, they were used judiciously and with a certain amount of restraint.  Rupert Sanders didn't take that lesson.  His remake of the 1995 anime is so overblown with special effects and color

Dear America: Letters Home from Vietnam

3.5/4 Rated PG-13 (probably for War Violence, Disturbing Images and for Language) The best war movies work because they present their material with stark, unfiltered clarity.  They don't shy away from bloodshed nor do they overhype the adrenaline.  There's a reason why movies like "Platoon," " Saving Private Ryan " or " American Sniper " linger in our minds long after the end credits roll.  It's because they portray war with unflinching realism, sparing the audience nothing. "Dear America: Letters Home from Vietnam" is a documentary, so its images of war and death (of which there are a few) consist mainly of news footage.  That's actually what makes this film such a powerful experience.  This is not the vision of war from a truly gifted filmmaker.  This is reality. The film uses letters from real soldiers to provide insight into the minds of the actual grunts on the field.  They are read by famous actors, but most are unre

Power Rangers

3/4 Starring: Dacre Montgomery, Naomi Scott, RJ Cyler, Ludi Lin, Becky G, Elizabeth Banks, Bryan Cranston, and the voice of Bill Hader Rated PG-13 for Sequences of Sci-Fi Violence, Action and Destruction, Language, and for Some Crude Humor Nostalgia is certainly big money these days.  Every non-superhero movie is based on a childhood favorite of some kind, from " Teenage Mutant Ninja Turtles " (the less said about those movies, the better) to live action updates of Disney animated classics.  "Power Rangers," based on the hit kids show from the early 90's, is the latest to get an update. Truth be told, I was never a fan of the Power Rangers.  I was never all that in to TV as a kid (I'm still not, actually).  So forgive me if I don't geek out and instead review the movie on its own terms.  I don't know how fans of the TV show will react, but I liked it. Fallen sports stud Jason (Montgomery), ex-Queen Bee Kimberly (Scott), nerdy Billy (Cyler),