Kingdom of Heaven (Director's Cut)


2.5/4

Starring: Orlando Bloom, Eva Green, Jeremy Irons, Liam Neeson, Marton Csokas

The version being reviewed is the Unrated Director's Cut.  For the record, the theatrical cut is rated R for Strong Violence and Epic Warfare

As much as I would like to say good things about Ridley Scott’s true vision of this Crusades story, I can’t.  The problem lies not with Orlando Bloom (as one might assume), but with the seriously confused script by “The Departed” scribe William Monahan and the bungled handling of some of the intrigue that goes on.

Balian (Bloom) is a blacksmith (not named William Turner) whose wife has recently committed suicide.  Being of Catholic faith, this condemns her to an eternity in hell, so he reluctantly agrees to go with the father he never knew he had (Neeson) to save the soul of his wife and his own.  But when he gets to Jerusalem, he finds that the city is not so much threatened by the Saracens (Muslims), but by the rift between the Templar Knights, who are acting on the word of the Pope and want to destroy the Muslims, and King Baldwin (an uncredited Edward Norton) and his supporters, who want to keep the peace and allow people of all faiths to enjoy the Holy City.

Orlando Bloom is like Michael Cera; he can only play one type of role, but when it fits, it works.  Eva Green is also good as Sybilla, Baldwin’s sister and later Balian’s lover.  Liam Neeson, David Thewlis and Jeremy Irons provide able support.  But it is Edward Norton who steals the show.  As the leper king, Norton is both wise and fatalistic, and he tears at the heartstrings as well.  It’s an especially amazing accomplishment since the mask he wears is really quite creepy.

The main problem with the film is its protagonist.  Until the end of the film, Balian really doesn’t do anything.  It seems he’s only in the film for the sole purpose of watching him go from being a guilt-ridden blacksmith to the de facto general of Jerusalem, something that happens entirely by coincidences.  It’s not credible and it lacks the rooting interest that the film needs to involve the viewer.

The intrigue that happens behind the scenes is both poorly written and ineptly handled.  It’s not always clear who is related to who and what a certain character wants.  There are also a few too many “words of wisdom” thrown out there.

There are a few good things about this film.  The cinematography is gorgeous and the setting is effectively realized.  And although the bulk of the film is confused and uninvolving, the final battle scene is superbly done.

I saw the Director’s Cut, but not the theatrical version.  I’ve heard that this one fleshes out a major subplot that was left out by nervous studio executives who wanted to keep the running time low.  As much as I respect seeing a director’s true vision, it still doesn’t help this film.

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