50/50
2/4
Starring: Joseph Gordon-Levitt, Seth Rogen, Anna Kendrick,
Angelica Huston, Bryce Dallas Howard, Philip Baker Hall
Rated R for Language Throughout, Sexual Content, and Some Drug Use
“50/50” is an attempt at making a bittersweet comedy about a
young man afflicted with cancer (the title comes from his chances for
survival). It’s got the cast to
accomplish this; Levitt is a criminally underrated actor, Rogen is a hilarious
comedian, and everyone else is known for their versatility. The problem is the script. Despite coming from writer Will Reiser's
personal experience, the film lacks the depth necessary to involve the
audience.
Adam Lerner (Gordon-Levitt) is a researcher for a radio station
who has been having back pain. When he
goes to the doctor, he is told that he has a rare form of cancer. Needless to say, this stuns him. His overbearing mother, Diane (Huston) wants
to coddle him, his best friend is trying to use his cancer to get them both
laid, and his girlfriend (Howard) says she’s in for the long haul, but she may
not be that devoted. He’s also beginning
to see a therapist, Katherine (Kendrick), to help him through it. But can he pull through?
Reiser used his personal experience to write the screenplay,
and I believe it. The situations that
Adam finds him are believable. The
problem is that the characters are two-dimensional and director Jonathan Levine
doesn’t explore them sufficiently enough.
In many ways, it feels like “Contagion,” a sampling of everything that
can be included in this storyline. But
the Steven Sodebergh film had a story that gripped us enough to see it through
to the end, even though it lacked any semblance of character
identification. “50/50” has all the
dramatic heft of a sitcom. Did I care if
Adam pulled through? Not really. And that’s the film’s biggest problem.
Joseph Gordon-Levitt is an immensely talented actor. He proved that in “The Lookout,” a little
seen thriller from the great Scott Frank.
But here, while we understand that bouts of anger that he goes through
and why he sometimes acts like a jerk, we feel no empathy for him. Seth Rogen is his usual reliable self, and
while there is some evidence that he can handle drama in this kind of a
setting, he’s not given much of a chance to show it. Kendrick, who was nominated for an Oscar for
“Up in the Air,” gives the best performance in the film. Of all the characters in “50/50,” she’s the
one we feel for. Huston is over-the-top,
and Hall is underused.
It’s a shame that this film doesn’t work. It has the potential to really tug at the
heart, and maybe draw a tear or two. But
in the end, it’s just a forgettable dramedy.
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