Law Abiding Citizen
2.5/4
Starring: Gerard Butler, Jamie Foxx, Colm Meany, Bruce
McGill, Leslie Bibb, Viola Davis
Rated R for Strong Bloody Brutal Violence and Torture, A Scene of Rape, and Pervasive Language
It’s a chilling thing to be at the hands of a madman who is
capable of anything at anytime, and no matter what you do, he’s always one step
ahead. Done right, like in David
Fincher’s masterpiece “The Game,” these can be brilliant thrillers. Done poorly, they completely fall apart. F. Gary Gray’s “Law Abiding Citizen” falls
somewhere in-between. It is watchable,
and on certain occasions a little suspenseful.
But Kurt Wimmer’s script pushes our “suspension of disbelief” too far
for Gray to completely hold it together.
Mild mannered inventor Clyde Shelton (Butler) is just
getting ready for dinner when two men, Clarence Darby (Christian Stolte) and
Rupert Ames (Joshua Stewart) break into his house. They rape his wife and brutally murder her
and their daughter. Even worse, the ADA,
Nick Rice (Foxx) is an egotistical jerk who is more concerned with protecting
his conviction rate than getting justice, and he makes a deal with Darby in
exchange for a death sentence for Ames.
Clyde is devastated, but Nick is unrepentant. Ten years later, something goes wrong with
the execution, and Ames dies an extraordinarily painful death. Evidence points to Clyde as the killer, but
even with him in jail, more and more people involved in the case are turning up
dead. Now Nick has to find a way to stop
a man who doesn’t need to be physically present to kill people.
There are two reasons why this movie doesn’t work. One, the two main characters are largely
unsympathetic. Clyde may have revenge on
his mind, but aside from about a minute, we don’t see him at all with his
family, so the question of whether or not he succeeds is largely
irrelevant. Likewise, Nick is a selfish
prick whose ego is so large that it takes him a long time and many bodies for
him to realize that he’s not in control of the situation.
The second problem, the suspension of disbelief, would be
easy enough to overlook if the characters were worth caring about. This sort of
thing is a given for many movies, particularly this kind. But because we don’t have much of an opinion
of anyone on the screen, we start looking at how well the plot holds together
(and it falls apart on even cursory observation).
Butler and Foxx are good actors, and they do what they can
with their characters, but Gray’s approach is cold and clinical. Gray has managed to do the impossible, create
sympathetic and well-developed characters in an action-thriller, but “Set It
Off” had a much better script than “Law Abiding Citizen.” To be fair, it is watchable, and it does gain
some momentum towards the end, but it’s a little too preposterous for even the
most undemanding viewer to appreciate.
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