Speed Racer
3.5/4
Starring: Emile Hirsch, Roger Allam, John Goodman, Susan
Sarandon, Matthew Fox, Benno Furman
Rated PG for Sequences of Action, Some Violence and Language
Frantically paced with a furious energy, The Wachowski Brother's latest film, "Speed Racer" is an exciting blend of light, color and energy that makes "The Fast and the Furious" look a whole lot worse than it actually is.
"Speed Racer" is based on an anime cartoon by
Tatsuo Yoshida created in 1967, and existed in various incarnations a few times
since then. The film pays homage to the
show, yet it also exists on its own; in other words, it wants to have its cake
and eat it too. This kind of thing
rarely works, but with talent like the Wachowskis at the helm, it pays off…big
time.
Speed Racer (Emile Hirsch) is a stunt racecar driver for his
family: Pops (John Goodman), Mom (Susan Sarandon), and Spritle (Paulie
Litt). Also working for the family
business are Trixie (Christina Ricci), Speed's girlfriend, and the mechanic,
Sparky (Kick Gurry). Speed is extremely
talented and in high demand by corporate sponsors like Royalton (a delightfully
over-the-top Roger Allam). But when
Speed turns Royalton down, the corporate sleazeball makes it his mission to
destroy Speed at all costs. There's a
reason for that…in an attempt to win Speed over, Royalton lets him in on a
little secret: all of racing is fixed so that the corporate owners can get
rich. Now, to save his family, Speed
must team up with the mysterious Racer X (Matthew Fox) to take down Royalton.
The visual appeal of this movie is so intense that it must
be seen to be believed. All colors are
bright and colorful; it's like a Dr. Seuss movie on hyperdrive. The Wachowskis do some daring things with
their film, like having characters faces slide across the screen to increase
menace, or mixing live actors with crude kids drawings. All this has a point: to keep the film's
manic energy up.
As impressive as the visuals are, they don't camouflage
either the story or the characters.
Emile Hirsch makes Speed someone we can rally behind, and pulls off
dialogue that's at times a little too wordy with aplomb. John Goodman is terrific as Pops, handling
the energetic scenes with as much skill as the sensitive ones. Roger Allam goes so far over-the-top that he
doesn't just chew on the scenery, he completely devours it. Christina Ricci, Susan Sarandon and the rest
of the cast (including Korean pop star Rain) provide solid support.
The film didn't fare well at the box office, and that's a
shame. It's a lot of fun; the last
twenty minutes are a prime example of how to finish a movie. Every time I watch this movie, I'm always
jumping up and down with excitement. And
for once, a movie manages to be energetic without having to resort to
aggressive camera movement. It's not
flawless (the details of the corporate backstabbing don't make much sense and
will likely go over little kids heads, and some of the green screen work is
unconvincing), but it is a lot of fun.
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